Get Aesthetic Value in Classical Antiquity PDF

By Professor Ineke Sluiter, Ralph M Rosen

ISBN-10: 9004231676

ISBN-13: 9789004231672

How do humans reply to and review their sensory reviews of the usual and man-made global? What does it suggest to talk of the ‘value’ of aesthetic phenomena? And in comparing human arts and artifacts, what are the factors for fulfillment or failure?

The 6th in a sequence exploring ‘ancient values’, this booklet investigates from various views aesthetic price in classical antiquity. The essays discover not just the evaluative techniques and phrases utilized to the humanities, but additionally the social and cultural ideologies of aesthetic price itself. Seventeen chapters diversity from the ‘life with no the Muses’ to ‘the Sublime’, and from philosophical perspectives to middle-brow and well known aesthetics.

Aesthetic price in classical antiquity will be of curiosity to classicists, cultural and artwork historians, and philosophers.

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Download PDF by Professor Ineke Sluiter, Ralph M Rosen: Aesthetic Value in Classical Antiquity

How do humans reply to and review their sensory reports of the normal and man-made international? What does it suggest to talk of the ‘value’ of aesthetic phenomena? And in comparing human arts and artifacts, what are the standards for fulfillment or failure?

The 6th in a sequence exploring ‘ancient values’, this publication investigates from a number of views aesthetic worth in classical antiquity. The essays discover not just the evaluative options and phrases utilized to the humanities, but additionally the social and cultural ideologies of aesthetic price itself. Seventeen chapters diversity from the ‘life with out the Muses’ to ‘the Sublime’, and from philosophical perspectives to middle-brow and well known aesthetics.

Aesthetic price in classical antiquity can be of curiosity to classicists, cultural and paintings historians, and philosophers.

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Callimachus: Hymn to Apollo: A remark

Extra resources for Aesthetic Value in Classical Antiquity

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For some of (though not all) the direct victims of tragic misfortune there may be only the silence of death, a silence specifically characterized by the chorus of Oedipus at Colonus as a loss of music (‘without the lyre, without dancing’, ἄλυρος ἄχορος, Soph. 32 But within the larger dramatic world of tragedy, as well as in the genre’s performative relationship to its audience, there always remains space for a ‘music’ which even disaster cannot wholly destroy. Furthermore, behind this fundamental component of tragic poetics is an older Greek sensibility, which makes the Muses symbolic of the capacity of song not just to come to terms with, but to impose a kind of consoling order onto, all aspects of existence, including suffering and death.

V. ἀµουσία ΙΙ translate the term at HF 676 oddly as ‘want of harmony’. The full force of ‘without the Muses’ is correctly seen by Lanata 1963, 176; Bond 1981, 239 (Euripides has ‘re-etymologized’ the word). 23 Cf. Wilson 1999–2000, 435 on ‘the regenerative powers of mousike’ in this passage, but setting it (433–439) against the imagery of destructive Dionysiac music which is to follow (cf. n. 30 below). 24 stephen halliwell antistrophe, as a dying swan, Eur. HF. 24 The state of mind expressed by the chorus in this ode makes the Muses part of an intricate web of values.

N. 30 below). 24 stephen halliwell antistrophe, as a dying swan, Eur. HF. 24 The state of mind expressed by the chorus in this ode makes the Muses part of an intricate web of values. They represent a kind of compound, compendious mousikê in which vocal song, instrumental music (of both strings and woodwind), celebration (with garlands, victory hymns, and wine), choral dance, Dionysiac intoxication (Eur. HF. 682), and Memory (itself symbolizing a mixture of cultural tradition, memorialization, and musical facility) are all intertwined.

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Aesthetic Value in Classical Antiquity by Professor Ineke Sluiter, Ralph M Rosen


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