By Jonathan D. Green
In A Conductor’s consultant to chose Baroque Choral-Orchestral Works, Jonathan D. Green's 6th book-length contribution of courses for conductors, he deals this significant other to his seriously acclaimed A Conductor’s consultant to the Choral-Orchestral Works of J. S. Bach. during this quantity, eco-friendly addresses works of the Baroque period from Monteverdi via Bach's contemporaries.
In addition to short biographical sketches for every composer, eco-friendly contains for every paintings the approximate period, textual content assets, acting forces, presently to be had versions, destinations of manuscript fabrics, notes, functionality matters, review of solo roles, evaluate of hassle, and a discography and bibliography. period info comes from a number of resources, yet eco-friendly turns to real recording instances of performances. the aim of this e-book is to assist conductors in identifying repertoire acceptable to their wishes and the skills in their ensembles. The discographies and bibliographies, whereas no longer exhaustive, function precious beginning issues for additional research.
A Conductor’s advisor to chose Baroque Choral-Orchestral Works should attract conductors in assisting their live performance programming. Librarians and track scholar also will locate this paintings an incredible reference identify for the research of Baroque repertoire.
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Extra info for A Conductor’s Guide to Selected Baroque Choral-Orchestral Works
Wiesbaden: Breitkopf und Härtel, 1974. : Dieterich Buxtehude: Organist in Lübeck, 148, 198, 323, 333, 339, 341, 343-346, and 359. New York: Schirmer Books, 1987. Ihr lieben Christen freut euch nun, BuxWV 51 Duration: ca. 11 to 12 minutes Text: The text is by Erasmus Alber (1546). A Conductor’s Guide to Selected Baroque Choral-Orchestral Works 43 Performing Forces: voices: 2 soprano and bass soloists; SSATB choir; orchestra: 2 trumpets, strings (with 3 violin parts and 2 viola parts), and continuo.
Snyder, volume 9, page 91, published by Broude. Autograph: Manuscript materials may be found in the Uppsala Universitetsbiblioteket (6:13 and 82:37). 56 The Works Notes: The Kerala J. ” The critical commentary of that edition suggests the likelihood of the earlier version being from the 1670s and the later version from the 1680s. Performance Issues: It appears that the composer intended that this work be for solo quartet; however, alternation of solo and ensemble singing with a nimble choir would be very effective.
Free University of Berlin: dissertation, 1956. 28 The Works Sørenson, Søren: “Instrumentalforspillen i Buxtehudes kantater,” Dansk Aaborg for Musikforskning (1961), 14, 18, 23. Geck, Martin: Die Vokalmusik Dietrich Buxtehudes und der frühe Pietismus, 30, 33, 48, 57, 191. Kassel: Bärenreiter, 1965. Karstädt, Georg: Thematisch-systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude: Buxtehude-Werke-Verzeichnis, 21-22. Wiesbaden: Breitkopf und Härtel, 1974. : “Critical Apparatus,” for Dietrich Buxtehude: The Collected Works, volume 9, 279-282.
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works by Jonathan D. Green